ildemiurgo

"non basta fotografare campi per essere Mario Giacomelli, come non basta disegnare pareti in cemento armato per essere Tadao Ando. bisogna sentire qualcosa, poi, eventualmente, fotografare merde di vacca o progettare box auto" I've been in Paris for 7 days, I saw 6 museums, 3 architecture universities, a conference with Rudy Ricciotti, a Gus Van Sant movie played on a wall in a Montmartre flat ect ect ect...there's a lot of great people out there, each one I knew I would offer him a job if I could I felt extremely little in this world made of great little people I feel I have a lot to give, I feel as I wanna survive and create a sweet spa

it seems I found again time and joy of making new pictures I'm happy about this 'cause last period has not been so easy and rewarding, both in unversity and in personal life 3 days ago, in my grandparents' house, I found a late 20's Zeiss Ikon Cocarette, 6x9 format, perfectly working, like this http://www.thecamerasite.net/03_Folder_Cameras/Pages/zeiscocarette.htm I hope to show you something very soon I have almost a month in front of me free from stressing works, so I hope to give DA a bit more of time see you soon take care marco ps. we have a new friend in DA andreaceratophotos (https://www.deviantart.com/andreaceratophotos) ~andreaceratophotos (https://www.deviantart.com/andreaceratophotos) , take a look

hello, it's been a while. sorry but I've been very busy as university started. I'm starting a new "project" called LUOGHI DELLA FATICA. It is something with a starting point (now) but not with an end, I think it will be something very discontinuous in time and space. I went for a photosession in a place called Langhe here in the north of Italy with the only purpose of capturing the beautiful colours of autumn, but driving my car I thought that it would be an interesting thing to start shooting those places which are (or have been) the scene of an hard labour, of something that left TRACES, SIGNS, PATTERNS in the soil. this could be some